Stoic Artistry

Midwest----> San Frisco
Stoic Stoner Writer
Spliffs and Bong rips
yatir: lovesoulbounce: “They be like, ‘Ooh, she’s serving face.’” Work, Janelle. that chair though…I’m loving it.
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agalialuna: Well,clearly this was me and probably the rest of the viewers… :’(
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thecyberwolf:

Marvel Comics Vintage

by Robert Obert

Behance - Facebook

(via dreadgeek)

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soulbrotherv2: Too Heavy a Load: Black Women in Defense of Themselves, 1894-1994 by Deborah Gray White Too Heavy a Load celebrates this century’s rich history of black women defending themselves, from Ida B. Wells to Anita Hill. Although most prominently a history of the century-long struggle against racism and male chauvinism, Deborah Gray White also movingly illuminates black women’s painful struggle to hold their racial and gender identities intact while feeling the inexorable pull of the agendas of white women and black men. Finally, it tells the larger and lamentable story of how Americans began this century measuring racial progress by the status of black women but gradually came to focus on the status of black men-the masculinization of America’s racial consciousness. Writing with the same magisterial eye for historical detail as in her best-sellingAr’n’t I a Woman, Deborah Gray White has given us a moving and definitive history of struggle and freedom. “Splendid … a broad and sweeping history that becomes an intensely personal experience for the reader… . An inspiring showcase of scholarship and sistership.” - Nell Irvin Painter, Raleigh News & Observer Illustrated
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Kerry Washington for Elle Magazine, June 2013
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soulbrotherv2: Revolution Televised: Prime Time and the Struggle for Black Power by Christine Acham After a decadelong hiatus, African Americans once again began appearing regularly on television in the 1960s. Bill Cosby costarred on I Spy, Sammy Davis Jr. briefly hosted a variety show, and in 1968 Diahann Carroll debuted in the title role of Julia, the first television series to star an African American since the cancellation of Amos ’n’ Andy. Over the next ten years, shows with African American casts became more common; some, like Sanford and Son and Good Times, were hits with both black and white audiences. Yet many within the black community criticize these programs as perpetuating demeaning stereotypes and hampering the political progress made by African Americans. In Revolution Televised, Christine Acham offers a more complex reading of this period in African American television history, finding within these programs opposition to dominant white constructions of African American identity. She explores the intersection of popular television and race as witnessed from the documentary coverage of the civil rights and Black Power movements, the personal politics of Flip Wilson and Soul Train’s Don Cornelius, and the ways in which notorious X-rated comic Redd Foxx reinvented himself for prime time. Reflecting on both the potential of television to effect social change as well as its limitations, Acham concludes with analyses of Richard Pryor’s politically charged and short-lived sketch comedy show and the success of outspoken comic Chris Rock. Revolution Televised deftly illustrates how black television artists operated within the constraints of the television industry to resist and ultimately shape the mass media’s portrayal of African American life. 
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